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OJenLee has #VAR3# hits remaining. OShe is looking disturbingly arrogant and mean. OShe is looking irritable and short-tempered. OShe is looking somewhat uncertain and distracted. OShe is looking radiant with good will and spiritual power. OThat command is the last coherent thought that goes through your mind, for Oyou find that the unpleasant, nasty thoughts well up and take over; you seem Oto have completely succumbed to evil. Eventually the Demon finds you and, Ocongratulating himself for the successful array of temptations he set before Oyou, tortures you for a thousand years before setting you up as a minor demon Owith a charter for tempting fallen clergy. OUnfortunately, you don't have time to act on that command, for you are Osuddenly attacked from behind, completely by surprise. You turn to try to Odefend yourself, and you find that it is JenLee who is attacking you, her face Otwisted in an ugly, vicious snarl. You have no armor and no defense, and so Oshe finishes you off quickly. Your last memory before you die is of JenLee Othrusting her sword into your gut to eviscerate you. OSuddenly, the Demon gives a hideous, spine-tingling cry, as its features Otwist with insane self-loathing. Before your horrified, fascinated eyes, he Oquite literally rips himself to pieces, spitting and stamping on each piece. OHis eyes are the first to go, ripped out by long fingernails. Then he pulls Ooff his ears, his nose, and then in a frenzy of scratching and scraping, his Oentire face. He rips off one of his legs, opens a long wound in his chest, Oand then, one by one, yanks out his organs and pounds them to an oozing pulp, Ousing his leg as a cudgel. Then the other leg is ripped off, and as the ODemon's torso falls to the floor, it flays the skin off the legs and breaks Othe bone. The chest an empty sack, the torso simply lays on what remains of Oits back as its fists methodically reduce what's left of the head to flaccid Oskin and bone fragments. Finally, the two arms rip themselves free and in an Ougly, horrid parody of an arm-wrestling match, flail at each other until they Oare nothing but useless bags of broken bones and hemorrhaging ichor. OEventually they lie still. The Demon seems to be dead, done in by his own, Ounfaceable, self-image. O OJenLee, deeply wounded, is unable to hold on any longer, and dies. Her last Owords are ones of regret that she won't be present to aid you in the rest of Oyour quest. ODiffidently, JenLee comments that no doubt you know best how to allocate your Ospell points, but she did want to be sure that you realize that she is badly Owounded, and in need of curing. O OAlas, Tark, that last round seems to have been to much for you, and as you Otry to act you find yourself expiring, due to your deep and grievous wounds. OAlas, Tark, you are wounded to the point where you are barely conscious, much Oless able to take concerted action. You are dimly aware of JenLee standing Oover you, stripping off her gauntlets, though matters quickly come clear when Oyou find that a fourth of your hits have suddenly healed at Jenlee's touch. OAlas, Tark, you are wounded to the point where you are barely conscious, much Oless able to take concerted action. You are dimly aware of JenLee standing Oover you, but you know that she has already used her cure for the day, and Ocan be of no dramatic help. She attempts to apply basic first aid, but Ononetheless you soon succumb to your wounds, and die. OShe is currently carrying the following: OConcentrating intently, you attempt to $VERB$ JenLee. Kneeling by her Obedside, you push hard against her sleeping form, and find to your dismay Othat, after a brief moment of resistance, your hands pass *into* her! You Odraw back in a stunned surprise, one quickly followed by watching a transparent Oduplicate of JenLee emerge from her still sleeping body, knuckle the sleep Oout of her eyes, and then leap to her feet, becoming apparently completely Osolid and substantial in the process. OJenLee is already awake; attempting to wake her even further is fruitless. O$NAME$ is not present here to respond to your suggestion. OJenLee gets the $NOUN$ and begins to carry it around. OJenLee: "But you're carrying that yourself, Tark! You'll have to drop it Obefore I can pick it up." OJenLee: "But there's no $NOUN$ here for me to get, Tark." She gives you a Oconcerned look. OJenLee gives it a shot, but eventually has to report that the $NOUN$ is not Omovable, and so she is incapable of moving it about. OAlas, you can't conjure that spell unless you are carrying the proper Omanacord. OAlas, you have insufficient spell points to conjure that spell. OAs you watch, wounds on JenLee's body miraculously knit themselves, and Obruises and other marks likewise fade away. OAlas, that spell does not seem to affect the $OBJECT$. OA rush of warm healing energy courses through your body, originating at the Ospot at which you have placed your hand, healing wounds and mending bruises Oas it goes. OJenLee stoically watches as fresh wounds open on her body, confident that Othere is a method to your madness. OA rush of bruising, burning magical energy courses through you, raising ugly, Ogaping wounds wherever you touch yourself. OAlas, that spell affects only living creatures, and so your spell points are Owasted. OYou know that spell requires its target be present, and so you manage to stop Oyourself before you say the power word, and so conserve the spell points. OAlas, on the Astral plane you can't attract enough of your Sponsor's Oattention to make an "away" possible unless you possess a powerful holy Osymbol. OThere's no $NOUN$ present to away, and so the blessed light from your holy Ocross spends itself, uselessly, on the far wall. OA blast of pearly radiance streams forth from your blessed cross and Oenvelopes the $NOUN$, but as it is not an undead, the light fades with no Oapparent effect. OSummoning your Sponsors, you concentrate your will and focus Their influence Ointo your blessed cross, which glows, shines, and then emits a beam of Obrilliant pearly light, one in which the very light of Heaven seems to boil. OThe $NOUN$ is enveloped by the holy radiance, and, to the distant song of Oorchestral angels (good visuals are much easier on the Astral Plane), is Ocompletely and totally obliterated. OYou already have a magic lantern present, and so you avoid the waste of spell Opoints that conjuring another would entail. OAs you conjure, you become aware of a speck of golden light which hovers near Othe floor and begins to grow and grow, all the time surrounded by a thin veil Oof steam. As you say the powerword, a sudden thunderclap whips the steam Oaway, revealing the sudden appearance of a lantern shedding a rich, golden Olight. OSuddenly, and without ceremony, the light in your magic lantern extinguishes, Oand the lantern itself fades into insubstantiality a moment later. O OUnfortunately, as the spell description states, you can only cast this spell Oin a consecrated place or in the presence of a powerful holy object, and Oneither of those conditions currently hold. OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, similarly colored beams Oshoot out from them and play over JenLee. When the lights die down, there is Ono obvious physical difference, but she looks happier, nobler, as if she has Olooked deep into herself and liked, on the whole, what she saw. OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, similarly colored beams Oshoot out from them and play over Demon of Dark Delight as he recoils in Ohorror. When the lights die down, there is no obvious physical difference, Obut he is wearing an expression of disgusted confusion that seems on the Overge of becoming complete self-loathing. OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, similarly colored beams Oshoot out from them and play over the silver cross. When the lights die Odown, you can see the cross itself has begun to glow with a soft, holy light, Oand its very presence seems to warm and comfort you. OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, similarly colored beams Oshoot out from them and play over JenLee's sword. When the lights die down, Oyou can see the sword has begin to throb faintly, in time with JenLee's Oheartbeat, and that it sheds a bright pearly radiance, sufficient to see by. OIt is clearly a blade blessed by the Sponsors. OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, the radiance spreads from Oyour hands and runs, quickly, up and down your entire body. Bathed in the Oholy radiance of the Sponsors, you can look at yourself and your acts Odispassionately, separating the good from the bad, and with Their support you Ocan resolve to lead a better, cleaner life in the future. You eventually Ocome out of trance feeling shaken, but purged and spiritually renewed. OYou know from its spell description that this spell works only on sentient Ocreatures, and so you don't cast it, to avoid the waste of spell points. OAs you utter the power word of the spell, a stream of black radiance emits Ofrom your outstretched palm and strikes your target in its head. Immediately Othe facial expression becomes one of vacant friendliness, and you are now Osure that any suggestion you might make will be acted upon, if possible. OWith a rueful smile, Jeff begins to fade away, as the duration of his Osummoning ends. OWith a surprised grunt, Loam begins to fade away, as the duration of his Osummoning ends. OWith a triumphant laugh, the Demon begins to fade away, as the summoning Ocomes to an end. OIt's senseless to try to summon something which is already present, and so Oyou forebear. OWith a rumbling groan, the ground crumbles and suddenly begins to spit dirt Oand rock into the air, like a flowing fountain. Gradually the fountain of Odirt congeals and takes shape; it is Loam, the earth elemental. OYou complete the spell, and nothing at all happens, you don't even use up the Orequisite spell points. An incorrect name? An inappropriate target? OAs you complete the spell of Blessing, your hands begin to glow white and Oblue. As you pronounce the final word of power, similarly colored beams Oshoot out from them and play over the spring water. When the lights die Odown, you can see at a glance that the water has become blessed and holy. OIn a sudden frenzy, the air about you begins to blow and boil, whipping your Ohair and cloak about. The turbulence slowly settles into a whirlpool pattern Othat coils upon itself, tighter and tighter, until it suddenly coalesces into Othe form of your friend, Jeff the genii. OAs you chant the spell, a tiny point of black light forms and then begins to Ogrow. It resembles a large mass of black linen, clinging creepily to some Ohorrid object thrashing at its center. The mass grows and grows until, with Oyour word of power, it suddenly resolves itself into the shape of a tall Ohuman, in evening dress, who radiates an evil and a malice so strong that you Oexperience it as a physical bludgeoning. OWith a dying whine, the magical energy you had built up (and in which you had Oinvested your spell points) dies up and uselessly dissipates. You must have Othe name wrong. OJeff: "I'm sorry Tark, but my abilities are strongly constrained on the OAstral Plane. Unless I am in the Astral equivalent of open air, I can be no Ohelp to you." OSensing your intent, Jeff transforms himself completely into a whirlpool of Oair and transports you, undisturbed and calm at its eye, to the south bank Oof the valley of the grue. OSensing your intent, Jeff transforms himself completely into a whirlpool of Oair and transports you, undisturbed and calm at its eye, to the north bank Oof the Valley of the Grue. OIn a confused mixture of game and meta-level communication, Jeff asks whether Oyou want to go to the north (0) or south (1) bank of the Valley of the Grue? OThe burning, acidic stink of the oliephant's nest fills your mouth and lungs. OIt is so poisonously noxious that you take damage simply from breathing it. O OIn a hideous rush of wings and limbs, you are attacked by the oliephant. OLuckily the poisonous gas, straight from its source, kills you Oinstantaneously, and so you don't survive to experience being webbed down and Othen rent, limb from limb, by the creature's claws and tentacles. OSuddenly, your blood freezes to hear ponderous, squishy movement far Ooverhead. Simultaneously, the sickly sweet smell intensifies almost beyond Oyour ability to bear it. It's clear --- the oliephant is returning to its Onest. O OThe baby, with a pathetic scream of pain and anguish, is skewered by the Osword and, choking on the fountain of blood that erupts from its mouth, dies. OIt slides off the end of the sword onto the hard ground, breaking most of its Olimbs, including the thighs. OThe dagger is plunged into the throat of the baby, silencing its final, Oheart-rending sobs and screams. Gruesomely, the dagger seems to somehow suck Oup or absorb the baby's skin and flesh, as after a few moments in which the Osole event is a constant slurping noise, the only thing left is a perfectly Opreserved baby skeleton. OAs if in sympathy, and in revulsion for the act it was forced to commit, the Osword first loses its holy light and then breaks, becoming useless. OThe baby begins to scream in pain and incomprehension as it is messily beaten Oto death, a process that breaks all its bones and reduces it to a bloody, Ouseless pulp. OYou're going to need specialized tools to $VERB$ the $NOUN$, such as a lathe Oand a saw that can cut bone. O$VERB$ the $NOUN$ out of what? You have to have the appropriate materials. OCarefully separating the baby's skeleton to avoid damaging its bones, you use Othe machinery in the room to construct a pair of scissors made from the Obaby's thighs. The specialized tools make this rather straightforward and Oeasy, despite your lack of experience. OThe baby isn't present to $VERB$, lucky for it. OJenLee is distraught, confused, and upset by your command, but, audibly Oreassuring herself that you've never led her astray before, she follows your Odirections. OSmiling and eager, the charmed cannibal roots around in his drawers and Othrough his shelves until he finds a pair of cunning scissors, made from an Oinfant's thighs. These he gives to you happily, and then he watches you Oeagerly, waiting for your next command. OAbashed at his inability to aid you, the charmed cannibal haltingly explains Othat the two of you are not currently at his hut, where he keeps all of his Ostock, and so there's not a pair of scissors present that he can give you. OAbashed and ashamed, the charmed cannibal tells you that the scissors he Oalready gave you are the only pair he possesses, and so he doesn't have Oanother to give you, though he certainly would, if only he could. OThe cannibal looks through his stock once again, and then tells you the bone Oscissors he already sold you were his only item of that type, and he hasn't Oanother to spare. OHe backs away from you, baring his teeth. His guttural snarls are hard to Ofollow, but the gist of them seem to be that he claims to be an honest Ocraftsman who sells his wares for honest gold. If you aren't willing and Oready to pay for what you want, you can only be a thief, and he warns you Othat the dungeons around here are most unpleasant. OHe takes your gold and, after weighing it briefly on a set of scales made (of Ocourse) from skin and bone, he pulls open a particular drawer and pulls out Oexactly what you need, a pair of tiny scissors constructed from the thigh Obones of an infant human. OJenLee, gritting her teeth and using as light a stroke as she can manage, Ocuts you slightly with the edge of her sword. OJenLee draws the dagger lightly across your skin, trying to inflict just Oenough of a wound to draw blood. The dagger, though, leaps and twists in her Ohand like a live thing, and wounds you deeply. OJenLee: "What would you like me to $VERB$ you with, Tark?" OJenLee, concentrating carefully and using as light a stroke as she can Omanage, cuts herself slightly with the edge of her sword. OJenLee draws the dagger lightly across her skin, trying to inflict just Oenough of a wound to draw blood. The dagger, though, leaps and twists in her Ohand like a live thing, and wounds her deeply. OBumbling about with the unfamiliar weapon, you $VERB$ yourself somewhat more Odeeply than you intended. OYou draw the dagger lightly across your skin, trying to inflict just enough Oof a wound to draw blood. The dagger, though, leaps and twists in your hand Olike a live thing, and wounds you deeply. OAnd what do you want to $VERB$ with? OBumbling about with the unfamiliar weapon, you $VERB$ JenLee somewhat more Odeeply than you intended. OYou draw the dagger lightly across her skin, trying to inflict just enough of Oa wound to draw blood. The dagger, though, leaps and twists in your hand Olike a live thing, and wounds JenLee deeply. OThough a wound has been successfully opened, only a couple of drops of blood Ospill out, not enough to form a usable puddle. OBlood pours from the newly opened wound and forms a pool of blood on the Oground. OJenLee: "I'm sorry, Tark, but I've already used my cure for the day." OJenLee pulls off her gauntlets with alacrity and lays her hands on your Oexposed skin. Warm, healing energies rush into you, knitting your wounds, Oand once again you feel that deep, spiritual bound with JenLee that this Oritual underscores for both of you. OJenLee: "Tark, I can't help but notice that you are grievously injured. ODon't you think you should arrange to be healed?" OOnce the dust clears, you can see that the prisoner's clothes and shoes were Oleft behind, untouched by the holy conflagration. OSuddenly a grue rushes from behind a rock, and with fangs bared and claws Oheld at the ready, confronts you. OFrom your outstretched hand comes a grey light which showers the $OBJECT$. OFatal wounds immediately open all over the $OBJECT$'s body, and it promptly Odies, gushing blood in all directions. OSensing your intentions, the grue takes the initiative and attacks, raking Oyou with its powerful claws. OThe $OBJECT$ stands still, mutely unresisting, as it is attacked. OYou bumble around unsuccessfully with the $OBJECT$, but being no good Owith edged weapons, you are unable to bring it usefully to bear in this Omelee. OYou pummel the $NOUN$ with your fists, without apparent effect. OSensing her intentions, the grue takes the initiative and attacks JenLee, Oraking her with its powerful claws. OJenLee leaps to the attack, but her sword bounces ineffectually off of the Ogrue's tough and resilient hide. OJenLee leaps to the attack with her blessed sword. The $NOUN$ attempts to Odefend, but the sword strikes deep into its heart, killing it utterly. OJenLee attacks with the sacrificial dagger. She strikes only once, near the Oheart, but that is apparently enough, as suddenly all of the $NOUN$'s blood Oand skin is absorbed, with a stomach-turning slurping noise, into the Odagger. The $NOUN$ is dead. OJenLee: "What $NOUN$, Tark, should I be attacking? I don't see one here." OJenLee gamely attacks the $NOUN$ with her firsts, without apparent effect. OJenLee: "But Tark, I'm not carrying the $NOUN$. How can I drop it?" OAt your request, JenLee drops the $NOUN$ on the floor. OUnfortunately, you haven't the faintest idea how to $VERB$ a $NOUN$. OAlas, but you don't have the proper materials to $VERB$ a $NOUN$. OFollowing the directions you read earlier, and overcoming your distaste at Ohandling the noxious demonic ichor, you trace out the pentagram on the floor. OStanding carefully in the center, you rub a mixture of your blood and spit Ointo each corner of the inner pentagon, and then chant the activation Oformula. Slowly the ichor begins to burn off and be replaced by some clear Omineral substance which glows with a pleasant bluish light. This continues Ountil all of ichor is gone and the pentagram is complete. OYou can't $VERB$ a $NOUN$ unless one is present. OYou need to have some water available if you want to $VERB$ a $NOUN$. OYou scrub at the altar some more, but it doesn't get any cleaner than it was Opreviously. OThe altar is crusted with many coatings of dirt, excrement and graffiti; in Oaddition to water, you're going to need something to scrub with if you want Oto have any chance of returning the altar to its original form. OScrubbing furiously, and encouraged by the way the altar itself seems to Orepel the dirt and grime, sloughing it off, once you've begun to loosen it, Oyou quickly remove the worst of the graffiti and excrement. Starting again, Oyou then work to completely polish and clean the altar, and are rewarded by Othe gradual revealing of the altar's original decorations and carvings, and Oby a growing sense of inner peace. As you scrub away the last fleck of Ogrime, the altar suddenly begins to flood the room with a sense of holy Opresence, its spiritual powers apparently undiminished by its long Odesecration. OYou $VERB$ the $NOUN$, which now gleams and shines. This used up all the Owater you were carrying, however. OJenLee: "But there's no $NOUN$ present to attack, Tark." She gives a Opuzzled, and somewhat concerned, look. OJenLee: "I don't have a $OBJECT$, Tark, but I'll try attacking it with my Ofists." OLoam, reacting instantly to first word of your command, picks you up, tucks Oyou under one arm, turns the floor to mud and dives in. His enthusiasm is Ocommendable, but unfortunately, fatal as well, as your body is reduced to a Obloody, pummeled pulp at about the same time you lungs fill up with thick Omud. OLoam, reacting instantly, turns JenLee to stone and picks her up. OLoam turns you to stone and picks you up, wielding you like a club. He then Oproceeds to beat the hell out of the $NOUN$, as you directed. If there Oaren't any $NOUN$s around, he tears around in a mad frenzy looking for one, Obludgeoning it (and anything else that seems similar) to a bloody pulp. OEventually he gets distracted by an odd vein of stone in a wall and forgets Owhat he was about, and so just leaves you lying in a random hallway. OJenLee was discarded, still stoned, at the same spot you are, though you can Ojust barely see her out of the corner of your eyes. Suddenly a shadow looms Oover both of you, and you somehow know it belongs to the Demon of Dark ODesire. With a slow, contemplative smile, he de-stones JenLee. She Oimmediately stands over your body and draws her sword, but with a hand Ogesture and a twist of his lip he Charms her, enslaving her soul. OAs you lie there, raging with frustration, the Demon of Dark Desire comes and Ostands over you. Concentrating intently, he reaches a hand *into* your Ostoned body, and you mentally convulse in unbelievable, immobile, pain as he Owithdraws it, bringing with it a handful of fine, gossamer strands of some Ounknown substance. These he lifts to his mouth and begins to eat, and as Ofresh, unimaginable, horrific pain courses through you, you understand that Ohe is eating your soul. You silently scream a plea for aid, to your OSponsors, to Tiana, anyone --- and it seems that your plea is heard and Oanswered, for you promptly die, though not without suffering some spiritual Oeffects from the damage the Demon was able to inflict before you were Ospirited away. OLoam gapes at you stupidly and scratches in the general vicinity of what Omight pass for an armpit. He clearly doesn't understand your request. OThe prisoner crowds you closely and, turning the full weight of his Oconsiderable charisma upon you, asks for a kiss. "Please, my lovely Obenefactress, I have been so long without a woman's comforts, it would do Omuch to sustain me in my long, perilous trip back to my homeland. You are an Oenemy of the Demon of Dark Delights, and I know his True Name; I will tell Oyou, if only you will kiss me. Assuredly a reasonable price, no?" O OThe prisoner, annoyed and frustrated by your delays, suddenly bares long, Osharp fangs and, with his cape flapping behind him, attacks, doing grievous Odamage. His strength is uncanny, especially remarkable in one so long Oconfined. OThe prisoner musters his reserves of dignity and calmly requests that you Ofree him. "My lady! You are not one of the Demon's minions, and so you must Obe his enemy, as am I. I can help you against him, if only you release me Ofrom this durance vile." O OThe prisoner has already been freed; you cannot free him again. OBending over, you brace one foot against the wall and get a firm grip on the Osilver chains. Tugging with all your strength, you rip them out of the wall. OSimilarly, you twist and turn the manacles themselves until you rip them Oasunder, freeing the prisoner completely. OThe prisoner is already completed restrained; how could you lock him up any Ofurther? OThe prisoner dodges nimbly away from your attempts to rebind him into the Osilver manacles. OThe charmed prisoner docilely sits against the wall and allows you to bend Othe manacles around his hands. The touch of the silver startles him, Ohowever, and you feel yourself losing the charmed control just as you finish Obinding him. OYou bend to $VERB$ the prisoner, but he turns his head away demurely. "I Owill gladly kiss you, my lady, but only as a free man. Though I certainly Ohunger for your sweet lips, anything else would be a dishonor to my Oforebears, and to my house." OYou move to kiss him, and he sweeps you into his arms and begins to kiss you Owith an avidity that frightens you. You struggle to escape, as he is Obeginning to bruise you, but the prisoner is stronger than he looked, and Oholds you fast. Suddenly, he breaks off the kiss, but only long enough to Ograb the neck of your robe and rip it open, leaving you bare from breast to Oear. Then, holding you almost tenderly immobile, he pulls back his lips to Oreveal a vampire's fangs, and sinks them deep into your neck. As your life's Oblood pumps into him, you fall into an almost orgasmic swoon, and are soon Osupported only by his arms. As you fade into unconsciousness, you hear the Ovampire say "Hear me, my lady, for I keep my promises, though in my own way. OThe Demon's name is ...", and you hear no more. OThe charmed prisoner takes you in his arms and kisses you, enthusiastically Oand well. Between your weak-kneed response to his evident skill and your own Oself-loathing at resorting to such a cheap thrill, the fact that there is Osomething distinctly odd about the geometry of the kiss registers only Odistantly on your consciousness. OPrisoner: "I'll give you anything you want, anything I have, if only you Orelease me." OPrisoner: "Yes, yes, my lady, I'll give you all if you would but favor me Owith a single, simple kiss." OWith a dopey smile, he sits suddenly on the floor and takes off his shoes, Owhich prove to be wooden platforms with incredibly thick soles. Reaching Oaround inside of them, he opens them to reveal that both soles are hollow. OStanding again, he upturns the shoes to pour gold and jewelry into your Ooutstretched hands. OWith a faint "bamf", a magin pops suddenly into the room and, before you can Oreact, steals all of your manacords and teleports away again, leaving behind Oonly a thin dusting of rich earth. O OWith a faint "bamf", a magin pops suddenly into the room. It quickly Orealizes that you have no manacords, and so it teleports away again, clearly Odisappointed. O OWhoops! You try to take some action and find, to your dismay, that your body Ofalls apart as you do so. The resurrection seems to have been unsuccessful; Othere's only so often an Astral Image can be patched back together, you know. OAlas, your Image is now completely dissolved, and you are sent back to Prime Owhere you wake in your bed, shaking, knowing that your mission was a failure. OYour spirituality level is #VAR2# out of a possible 100. OJenLee's spirituality level is #VAR4# out of a possible 100. OWith a soft trill of delighted freedom, the immaculate dove, the Soul Song, Olaunches itself from your shoulder into the Astral Plane. You watch it fly, Oand as it goes it seems to grow, and stretch, and grow, and stretch, until it Oas huge as the observable universe and as thin as gossamer. Eventually it Oseems to dissipate altogether, spreading itself through the Astral Plane, the Oplace of dreams and hopes. Looking down, you see yourself beginning to Odissolve as well. You soon will wake in your own bed, the events of this Onight a confused and unrecollectable jumble --- but still, throughout the Orest of your life, especially when things seem darkest and most bleak, a Odove's liquid liquid trilling will come to you and speak of hope, and you Owill be comforted. OThe Demon of Dark Delights rants and raves at the edge of your pentagram, but Ois unable either to attack you or to escape your summons. OWith a twist of his hand and a single Word of evil might, the Demon seduces OJenLee and places her soul in bondage. Her face immediately becomes twisted Oin an ugly, vicious snarl, and standing to the Demon's side, she begs for the Ochance to spit you on her sword. OWith a single arcane gesture, the Demon magically arrests your movement, Omaking you helpless. As you stand there, raging with frustration, the Demon Oof Dark Desire comes and considers you. Concentrating intently, he reaches a Ohand *into* your body, and you mentally convulse in unbelievable, immobile, Opain as he withdraws it, bringing with it a handful of fine, gossamer strands Oof some unknown substance. These he lifts to his mouth and begins to eat, Oand as fresh, unimaginable, horrific pain courses through you, you understand Othat he is eating your soul. You silently scream a plea for aid, to your OSponsors, to Tiana, anyone --- and it seems that your plea is heard and Oanswered, for you promptly die, though not without suffering some spiritual Oeffects from the damage the Demon was able to inflict before you were Ospirited away. OYou find yourself on the Elemental Plane of Earth. You are almost crushed by Othe sudden rush of rock and soil, but just as quickly Loam clears an open Ospace where you can move about and breathe. He dances about in obvious joy Oat being brought home, and continually hugs and kisses you in his joy. OFinally, he tells you that he is grateful and always will be, and that you Oare welcome to return to the Earth Plane whenever you wish, for he will be Oyour joyful host. And with that he dives into the floor and is gone. O OYou enter the sink hole and are immediately dragged under by a powerful Ocurrent of soil and earth. You close your eyes and mouth against the rush of Odirt, but are so disoriented by your tumbling passage that you have no idea Owhich way to try to dig in order to escape. The need to breathe mounts and Omounts, while at the same time the pressure on your body of the earth and Orocks around you is becoming unbearable. In a small blessing, you pass out Obefore you can discover whether you are going to die from suffocation or Ocrushing. OThe earth around you, crawling and creeping in an almost sentient fashion, Oleaves air pockets for your mouth and nose, so that you may breathe. O OThe cannibal examines your jewelry, gnawing on it speculatively, and then Ohands it all back to you, apparently uninterested. OYou approach the east archway, when suddenly a voice booms out, saying: O O There is one who Sleeps within a Stone, O Yet seeks a frame of Flesh and Bone. O There is one whose Eyes ne'er closed on Light O In his plans a Sword burned Bright. O There is one who seeks to pass a Wall O Which is Nothing thick and Nothing tall. OThere is no reply, but the sparking lights within the passageway suddenly Oflare up and fill the Demon's chamber with bolts of electricity. You are Oriddled by sparks and shocks, and take a goodly amount of damage. OWith that, the streaky light barrier on the east archway fizzles, sparks, and Othen fades away entirely. You hurry through, before the ward can reform Oitself. OJeff: "I'm sorry Tark, but for complicated reasons, I'm unable to $VERB$ on Othe Astral Plane, at least at present." OYou can't attempt to summon the Demon of Dark Delights unless you know his Oname, and there's no way you could have, so far. Lucky guesses (and Oexperience in prior, similar dreams) does not count. OMeta-comment: Sorry, $NAME$ can't do what you're suggesting. O Regrets, O The DM OYou went to bed exhausted, Tark, worn out by a day of wrestling with the Onature of evil, and so you were not expecting a night of dreams. Thus you Oare justly surprised when you find yourself suddenly standing in your Obedroom, clad at white robes, looking down at your sleeping form. The Oversion of you on the bed is clearly in an almost unnaturally deep trance; Omuscles completely relaxed, eyes rolled back into the head, breathing so Oshallow as to be almost imperceptible. Examining it more closely, you see a Ogolden cord extending from its forehead; you follow it to its far end, which Oturns out to the back of your neck. O OBemused, you try out various Freudian interpretations until you are startled Oby a noise behind you. You whirl around, and see an old, age-weathered Owoman, wearing cleric's robes and a cardinal's chasuble; somehow you Orecognize her, and know her to be Priestess Tiana. "Bluh, bluh", you blurt Oout calmly, demonstrating the diplomatic poise and grace with which your Oencounters with higher level clerics are justly reknowned. She smiles, Oslightly, in response, and says "Yes, yes, I'm quite dead, but as you'll Olearn if you continue in the studies you have started, 'dead' is largely a Omatter of the definitions you find convenient. But I didn't pull your Image Ointo the Astral plane just to exchange pleasantries; there's a crisis at Ohand, and you've been chosen to address it. There is a demon; his name is Ohidden from me, but he is known as the Demon of Dark Delights. In his own Oway he is something of an aesthete, and he has waged a quiet campaign in Opursuit of his art; the acquisition, by seduction or force, of the souls of Obards, poets, all those of the literary arts. He has caged them long, and we Othought his ambitions were simple ownership. This very day, however, by dark Oarts he has distilled them, formed them, into a single entity that I am Ocalling the Soul Song. We know not his plans, but we do know that he will Oact on them soon, and so the Soul Song must be rescued and its spirit Oreleased back into the Astral Plane, before he can continue." O O"The Demon is powerful and subtle, but careless. He thinks he knows all who Oare a threat to him, and has raised his defenses accordingly. One such as Oyou, however, unknown to him, can sneak by those defenses, and perhaps Osucceed where I and the rest of the Circle would be doomed. Unfortunately, Oyou are unfamiliar with the Astral Plane, and there is no time to train you. OBe forewarned that your spells and abilities, supplemented by your Oimagination, may be more powerful than on Prime. This is true in general; Oeverything is more intense on the Astral Plane, the consequences of your acts Osharper and more immediate. Be wise and wary; your life and your soul are at Ostake." O O"You have tonight only; if morning arrives with the Soul Song still in Ocaptivity, then all is lost, and all song, all art, all the joys of Oliterature will belong to the Demon of Dark Desire." O OAnd with that she fades away. OThis seems to be your bedroom in your quarters at the Keep; there is a bed Ofor you and JenLee, your normal and assorted possessions, and a door to the Osouth. On the other hand, it seems that you can almost see through most of Othe objects about you, if you concentrate, and the walls of the room seem to Obe leaking a tenuous electric blue light, as if punctured by a thousand tiny Opinpricks. ODon't you think JenLee would be upset if you were to go off on this adventure Oon your own? If you haven't already, you should figure out some way to bring Oher along. OYou find yourself abruptly surrounded by empty air, shot through with Osparkles of a delicate, robin's egg blue. The effect is vertiginous, and you Ofind your stomach protesting as you attempt to develop some means of Oconsistent orientation. Off in the distance, in a direction we may as well Ocall "down", you think you spy a wooden door, floating incongruously Ounanchored in the ether. OTrying to find your away around via the unconstrained astral plane? That Ousually requires extensive prior experience or magical aid. OYou $VERB$ the Amulet of the Planes; the result is dizzying and Oinstantaneous, as round portals iris open all around you, giving you a Oglimpse of what waits on the other side. OYou are still floating in the clear, ozone-ridden air, but now you are Osurrounded by sharply defined circular portals. Picking one at random to Orefer to as "north", and looking through, you can see what looks like lab Oequipment. To the west is an imposing chamber lined in silver and ivory, and Oeast reveals books in glass cabinets. Northwest is a pillar of fire, Osouthwest you gain an impression of horrific, unceasing wind, southeast shows Othe surface of the sea, and through the northeast portal you can see nothing Obut dirt and rock. The door below you still floats in the ether, as well. OYou are in the entry hall of what appears to be a castle of extensive size, Othough it seems clear from the dust on the furnishings and its general state Oof disrepair that is has been long abandoned. The previous owners were rich Oindeed, however, for looking down you note that the rug which runs wall to Owall is actually a skull spider tapestry, apparently created to order, as it Ofits perfectly. There is an imposing door to the north, and two smaller Odoors to the east and west. A wide, grand, winding staircase heads up, while Oa narrower one leads down. To the south is a complete shambles. Reasoning Ofrom the usual plan for castles, the ballroom, dining room and such not Oshould have been to the south. However, some long past cataclysm has Oentirely caved in the south end of this entry hall, and, you would suspect, Opoints behind. You do see a narrow, winding path south into the rubble, Ohowever, though you also note a sickly sweet smell, not quite recognizable, Ocoming from that general direction. OYou are in a small mop closet, a rather mundane sort of place for the Oexciting, glamorous astral plane. In the walls you can hear astral mice Ochittering, clearly irritated by your intrusion. OThis room looks to have once been a finely appointed bathroom, but it has Odecayed through years of neglect. The fixtures have been stripped (though Othe fragments of metal that remain suggest they were made of gold), the Oceramic sink has been ripped from the wall and shattered, and the iron tub is Orusted and dented. In the east wall there is a niche sheltering a shallow Odepression which is clearly fed by a stone spring. The only exit is to the Owest, back to the entry chamber. OYou are in the midst of a massive pile of rubble and furniture, slightly Otamped down or hollowed out near its center. The ceiling, far above you, has Obeen breached, and the room is illuminated by prickly, disturbing blue light. OEverything around you is smeared with an thick, sticky substance, and this Oseems to have reduced the metal and stone to a spongy, organic consistency. OThe sweet smell is strong, overpowering, you gag as it burns the back of your Othroat. Suddenly you recognize the odor, masked before only by its Ointensity; it is the scent of an oliephant! Simultaneously your eyes adjust Oto the scale of the scene around you, and you realize that you are standing Oin the middle of a huge oliephant's nest, far dwarfing the one on the -4th Olevel of Gora's castle. There's no clear path out of the room, though trails Oand passageways through the rubble lead off in all directions. OWhy are you still here? You're taking damage just standing here; can you Oimagine what it'll be like if the Oliephant should return while you're nosing Oaround? OThis is the north end of a classic dungeon hallway; dank, dreary, dimly lit Oby torch stubs flickering halfheartedly in wall sconces. The walls and floor Oare faintly wet with condensation, the ceiling is low and uneven, and the sum Oeffect is oppressive and unpleasant. A narrow stairway leads up, there is Omore of the hallway to the south, and to the north there is crude stone door. OThis is the south end of the dank dungeon hallway, and generally it more or Oless resembles the north end. There is, perhaps, a slightly higher Oconcentration of rat dung, and the patches of wall fungus are a tad more Oartful, but these are minor differences. There is a well-made, tightly Ofitted door to the east. To the west, a crude stone door seems to have been Ocompletely over-hauled and rebuilt. The door is painted with disturbing Ojagged patterns in black and white, and is clearly locked, with a Ocomplicated, ornate keyhole replacing the standard latch. And to the north, Oof course, is the north end of the hallway. OAn ornate lock requires an ornate key. But even with the key, are you sure Oyou're prepared for what's on the other side? OYou carefully fit the key into the ornate lock and turn it. It Omoves slowly and gradually, you have the impression of many complicated Otumblers carefully moving into position. There's an audible click as the Odoor unlocks, and then the key begins turning in the opposite direction, as Othe door promptly begins to relock itself. You re-pocket the key and then Opull the door open and hurry through, before the lock can re-engage. OYou are in a dank dungeon cell, only four feet by four feet, without even Oenough room to lay down in. The floor is littered with rotted straw and Orushes, a noxious and none too deep hole at one corner serves as the privy, Oand a pool of black oil burns in a niche in one wall, giving off a thick, Ochoking smoke. Two walls are equipped with arm and leg irons. There is a Ocrude stone door to the south, and to the northeast a narrow break in the Owall slopes up. The break is clearly not natural; it looks to have been Oformed by a earthquake or similar cataclysm after this cell was originally Obuilt. OTrying to free the prisoner? What a noble soul! A simple "FREE PRISONER" Oshould do the trick, the chains are easy enough to break with the proper Oleverage. OThis is a triangular, arrowhead shaped room, with the long tip pointing Onorth. The jagged, disturbing wall sculpture and painting immediately inform Oyou that you have entered a derro's lair. It is well kept and clean, and Ocontains a wooden table, a chair, and three tall, suspiciously fatty candles, Oone in each corner, which provide an eerie, flickering light. There is a Ostone door to the south, another to west, and the door to dank hallway is to Othe east. The west door is covered with an artful abstract mosaic which Oproves, on closer inspection, to have been formed from crushed and dyed Ofragments of bone. OHaving a problem with deadly derro? Perhaps you should know that you can Oscrew up his fighting prowess the same way you can screw up his spells. OThough you're probably not going to have time, given that you've used a turn Oasking for help. OThe walls of this room are entirely covered with bones, mostly legs and arms, Oto the point where the underlying stone is almost completely covered, all of Owhich gives the impression of the interior of a Baba Yaga hut made from bone. OWhat isn't bone is skin; there are a couple of pieces stretched here and Othere, covered with meticulous drawings that turn out to be directions for Othe proper carving of humans. There is also a dizzying profusion of shelves, Ocabinets, ledges and shelves, all covered by countless gadgets and Oknick-knacks made of bone and skin, such as candle holders formed from the Oskulls of small animals, scrolls of vellum, a set of quills apparently made Ofrom finger bones, and so on. The purpose of most of the objects is not Oentirely decipherable, but all were made with obvious skill and care. A Othrough search of the room would take days. The only obvious exit is to the Oeast, back to the derro lair. OThe cannibal may well be a marrow sucking eater of human flesh, but he's also Oa proud craftsman. If he has anything that might be useful to you in this Ocrowded and cluttered confusion of curios, you're not going to be able to Osimply beat it out of him. OYou have entered a make-shift nursery, apparently hastily constructed from a Oconverted abattoir. The room is neat and well-swept, but the walls sweat Owith condensation and there is a thin, sour smell of imperfectly scoured Obaby's vomit. There is crib converted from the slaughterpit, and dangling Oover it is a clever mobile created from polished flensing knives, tied to Oeach other by human hair. A few sconces litter the walls but no torches are Olit. The only exit visible is to the north, back to the derro lair. OThe dagger is clearly derro in make, and was no doubt left here by him. What Odo you suppose his intentions were? OYou are standing amongst the ruined remains of a magic lab. There are heaps Oand piles of twisted lab equipment and long-decayed animal corpses, shards Ofrom shattered glassware glitter underneath your feet, and the air holds a Odelicate, heady scent of spices, incense, and other, less easily identified, Ocomponents. There are doors to the west and east, a tightly winding narrow Ostaircase heads down, and another leads up. To the south there is an open Oarchway left by a wooden door which was ripped to splinters, its pieces cast Oto the side of the door. Thick dust covers everything, though it is Odisturbed in a wide trail which leads between the south and east doors. OThis room looks as if it was once a crafts center, perhaps for the creation Oof tools and equipment for the lab upstairs, which also seems to be the only Opoint of exit. The bigger equipment (a grind stone, a key cutter, a lathe, a Otable saw that looks tough enough to handle metal or bone) all looks as if it Omight still be functional, but there are no materials left to work on, it Olooks as if everything small enough to carry away was looted long ago. All Oof the equipment and incidental litter in the room has been pushed to one Ocorner, and the remainder of the room looks as if it was once the lair of a Ogroup of creatures; you count five piles of straw, loose clothes and rich, Osoft dirt that might have served as bedding, and there is a mild stench from Oa scattering of spoor found at one point along the wall. There are two long Odead magin here, pale and naked. Their bodies are bruised and bloated with Odecay, but there is no obvious sign of death; no large wounds, no blood. OSome of the equipment still seems operable. Perhaps you can make tools that Oyou can't find? OFrom it's relatively small size and the splintered remnants of shelves pegged Ointo the wall, you'd guess this was once a walk-in closet, a supply room for Othe mage lab. Anything useful that might have been in this room, however, Omust have been pulverized long ago by the cataclysm which has raged here. OThere are deep furrows on the ground, huge gouges and dents in the walls, Ostones ranging from the tiny to the man-sized lay in a jumbled confusion, and Othe whole is covered with a scattered crust of fresh earth. The only exit is Othrough the doorway to north, through which you entered. OThis is a completely bare room, with the floor, ceiling and walls completely Ocovered by ceramic tiling of a warm, neutral beige. Even the inside of the Odoor to the mage lab, to the west, is inlaid with the tile. There are no Oother obvious exits from the room, though there are four elemental oddities. OOn the floor to the northeast is a sinkhole, constantly tumbling in on Oitself. To the northwest is a pillar of fire, crackling and burning, and to Othe southeast is a turbulent column of water, of roughly the same volume. OThe southwest corner of the room is taken up by a twisting cyclone whose Oexact dimensions are difficult to make out. OYou are completely surrounded, on all sides, top and bottom, by soft, rich, Ofragrant, constantly moving earth. This would be almost pleasant if it Oweren't so disorienting, as you aren't really sure which direction you came Ofrom. The best you can do is to try to scramble up against the flow of dirt Oand hope for the best. OYou find yourself in the midst of a vicious, violent, tumultuous hurricane. OAlmost ripped apart by the force of the winds, you instead suddenly find Oyourself at peace in the center of the tornado, moved there by a slight Onudge. Turning, you see your friend, the genii Jeff. He says something, but Othe words are snatched away by the wind before you can register them. He Ocontents himself with pointing at the exit from the Wind Plane, far below, at Othe base of the twister. OYou find yourself completely immersed in beautiful, jade green sea water, Orich with life and motion. You are lulled into a calm meditative state by Othe gentle motion of the waves, one strongly akin to the deep peace and Osatisfaction you feel in the most profound of your religious experiences, and Oso only distantly recognize that you should be more concerned about the fact Othat your lungs are entirely filled with water. You seem to be in no Ophysical distress, however, and somehow the knowledge comes to you that your Osurvival in this pocket of the Plane of Water is at the grace of Poseidon, in Omemory of the service you did GreyTare, his cleric. There seems to be an Oexit, or at least a change in the character of the sea, far above you and Oanother far below you, should you feel moved swim in one direction or the Oother. OYou are immediately incinerated by a deadly, searing heat and flame, to the Omalefic cackle of laughing devilish creatures with pitchforks and spears. OThis is the north end of a deserted hallway. There are carpet runners on the Ostone floor which once secured a rug, various empty picture and tapestry Oframes on the walls, and the ceiling is high and level, giving the hall a Oresidential look. Light is provided by flickering torches, burned almost to Oa nub, placed at scattered points along the wall. There is a door to the Oeast, a wide winding staircase that leads down, and there is more of the hall Oto the south. OThis is the south end of a deserted hallway, and resembles the north end Oclosely, to include a door to the east. It lacks the winding staircase down, Ohowever. OThis room, which has doors to the west and south, is the ruined wreck of a OTrue Church chapel. Everything which could be stolen or broken has been; Othere are slashed portraits of saints on the walls, countless shards of Obroken holy water vials, the twisted remains of metal and wooden religious Osymbols, various soiled swatches of ceremonial garments, and a large bare Ospot on the floor where it seems clear a rug once lay. The only thing Oremaining is a great iron block of an altar, too ponderous to move and too Osolid to dent, and even that has been covered with paint and obscene, Oblasphemous graffiti. OThat altar is in hideous shape. Perhaps you could spruce it up a bit? OYou have entered a vandalized library, and are shuffling ankle deep in the Odebris of hundreds of books which have been ripped to pieces, their pages Oshredded, scattered, and urinated upon. A stuffed leather chair has been Ohacked apart by an impatient axe (a dwarf's work, judging from the angle of Othe cuts) and a long oak table reduced to kinding. The only point of order Oin the room is a locked cabinet, made of steel and finely trimmed in gold. OThe front of the cabinet is a transparent magical field, as hard as diamond Oto the touch, which reveals a few books and a manacord still in good Ocondition within. There are doors to the north and east, a narrow winding Ostaircase leading down, and on the south wall there is a full length mirror Owhich shows, not a reflection of the library, but an open, grassy field Ooverlooking a valley. You can feel a slight breeze through the mirror, and Oso understand it to be an eldritch portal of some kind. OTrying to get into the gold-trimmed cabinet? You're going to need a matching Okey, and I don't think the gentleman who has it is going to be happy about Ogiving it up. OYou are standing on the grassy, flower covered north bank of a deep valley. OBehind you, to the north, a magic portal hangs in mid air, its far terminus Oshrouded in darkness. In the distance to the south, you see the far bank of Othe valley, and just beyond it is a cliff face into which is cut an enormous Odoor. Between you and the south bank is a deep valley. On closer Oinspection, it seems to be the site of an ugly and intensive war, as you can Osee horrific fanged and clawed abominations stalking each other, killing Omercilessly whenever an advantage can be gained, sometime piling up on some Oinjured victim in an ugly blood lust reminiscent of feeding sharks. OYou are in the upper north portion of Grue Valley. The ground is Oblood-soaked and reeks of death and carrion, the sun overhead beats down on Oyou with a unearthly cruelty, and there are numerous large rocks and bits of Obrush. You hear creatures chittering all around you. You can go north Otowards the valley bank, or south and deeper into the valley. O Are you in trouble? ... OYou are in the middle north portion of Grue Valley. The ground is Oblood-soaked and reeks of death and carrion, the sun overhead beats down on Oyou with a unearthly cruelty, and there are numerous large rocks and bits of Obrush. You hear creatures chittering all around you. You can go north Otowards the valley bank, or south into the middle of the valley. O Feeling cross? ... OYou are in the middle portion of Grue Valley. The ground is blood-soaked and Oreeks of death and carrion, the sun overhead beats down on you with a Ounearthly cruelty, and there are numerous large rocks and bits of brush. You Ohear creatures chittering all around you. You can go north or south towards Othose respective valley banks. O Don't walk the valley ... OYou are in the middle south portion of Grue Valley. The ground is Oblood-soaked and reeks of death and carrion, the sun overhead beats down on Oyou with a unearthly cruelty, and there are numerous large rocks and bits of Obrush. You hear creatures chittering all around you. You can go south Otowards the valley bank, or north into the middle of the valley. O Fly across. OYou are in the upper south portion of Grue Valley. The ground is Oblood-soaked and reeks of death and carrion, the sun overhead beats down on Oyou with a unearthly cruelty, and there are numerous large rocks and bits of Obrush. You hear creatures chittering all around you. You can go south Otowards the valley bank, or north and deeper into the valley. OThis friendly message brought to you by TWA (Transworld Airlines). OYou are standing on the grassy, flower covered south bank of a deep valley. OBehind you, to the south, there is a cliff face with an enormous door. On Ocloser inspection, you can see that the door is has been carefully and Ocompletely scribed with a glyph whose malice and evil is palpable. To the Oeast and west, everything suddenly disappears, as if an artist had erased Opart of the scene and then paused. In the distance to the north, you see the Ofar bank of the valley, and just beyond it is an odd, man-sized break in the Oair's continuity. Between you and the north bank is a deep valley. On Ocloser inspection, it seems to be the site of an ugly and intensive war, as Oyou can see horrific fanged and clawed abominations stalking each other, Okilling mercilessly whenever an advantage can be gained, sometime piling up Oon some injured victim in an ugly blood lust reminiscent of feeding sharks. OTo get through the door you're going to have to destroy the evil glyph. You Ocan't away it or cast "Dispel Evil": what are other popular methods? OYou $VERB$ the holy water onto the glyph, and the result is an instantaneous, Osteaming shower of coruscating sparks. When the steam clears, you can see Othat the glyph has been cleared away. However, as you watch amazed, the door Obegins to sizzle and bark, burning off the last of the holy water, and then Othe glyph begins to re-write itself! Hurriedly, before it can complete the Ospell, you pull open the cliff face door and hurry in. O OYou have entered the chamber of the Demon of Dark Desire. It is sparsely Ofurnished, with walls and floor inlaid in black tile, and a subtly incorrect Orepresentation of the night sky laid out in the ceiling, using what appear to Obe thumb sized diamonds to represent the stars. A single shelf, made of Oironwood died black, runs across the west and south walls. On that shelf, on Oa bed of black velvet, are an assortment of crystal decanters, each in the Ostartlingly realistic semblance of a man or woman. You see each of the Oprimary races (human, elf, dwarf and hobbit) represented, along with many Oothers not immediately recognizable. Each decanter is empty, and their plugs Oor tops are laid carelessly next to them, in obvious contrast to the careful Oarrangement of the decanters themselves in various artful poses or tableau. O OThere is an exit to north which leads to the south bank of Grue Valley. To Othe east there is a round passageway, rimmed with a black metal which absorbs Oalmost all light. The passageway itself is faintly lit by occasional sparks Oof electric blue light. OSo, what made you guess to try "mirharaj" as a magic word? Were you perusing Othe data files, hmm? OYou are in the ritual room of the Demon of Dark Desire. The walls are Ocurrently draped in grey velvet, and a pattern, drawn in chalk on the floor, Ohas been partially traced by what seems to be a thin rope made of human Oflesh. In the center of the pattern is a metal stand. The only other Ofixture in the room is a chest high shelf on the wall near the passageway to Othe west, which is the only exit. OThis is a sloping fissure in the wall, not a worked and finished passageway, Othough at some point a sconce was pegged into the wall, and currently a small Opool of oil burning there gives of a faint, thin light. The fissure, choked Owith rubble, continues off up and east as well as down and west. OJenLee is wearing a shining suit of white armor which, you are fairly sure, Oshe doesn't possess on the Prime Plane. She returns your careful scrutiny Owith a confident gaze, and assures you that she is fit and ready to support Oyou in this quest, wherever it may go. OJeff looks as open and friendly as always, though he seems to have grown Oconsiderably taller since last time you encountered him, and no longer Omanifests his feet, apparently content to appear only from the waist up. OHe is decorated by numerous copper bands, and radiates a palpable sense of Orestrained power. OThe grue is vaguely humanoid, and has long, rooting tusks like a boar's, Orazor-sharp claws at the end of each arm, and powerful legs, shaped like a Okangaroo's. Blood drips from its claws and tusks, mute evidence as to its Orecent behavior. It eyes you carefully, deciding whether the pleasure of Oeating you live would be worth the necessity of prolonged combat. OThe charmed grue is vaguely humanoid, and has long, rooting tusks like a Oboar's, razor-sharp claws at the end of each arm, and powerful legs, shaped Olike a kangaroos. Blood drips from its claws and tusks, mute evidence as to Oits recent behavior. It licks you enthusiastically all over, in what it Oapparently thinks is a friendly fashion. OThe prisoner is dressed in a leather cloak, some miscellaneous clothing, and Owooden shoes. He has clearly been here for a good while, for his skin is Opale with captivity, though this seems only to enhance the aristocratic cast Oof his features and the dignity of his bearing. He is restrained by manacles Owhich, upon inspection, turn out to be made of soft beaten silver. That they Omanage to hold this man prisoner indicates that they are magically enhanced. ODespite his long period of forced passivity, the prisoner you have freed Oquickly regains a certain grace of posture and movement which seems very Onatural to him. His bearing is regal, his voice rich and caressing; he's Oreally quit attractive, especially for someone you'd met in a dungeon. ODespite his long period of forced passivity, the prisoner you have charmed Oquickly regains a certain grace of posture and movement which seems very Onatural to him. His bearing is regal, his voice rich and caressing; he's Oreally quit attractive, especially for someone you'd met in a dungeon. OThe cannibal is wearing a loincloth secured by a clip made from bird's Owishbone. He has a bone through his nose and his hair wrapped around Oanother. His skin is glossy and he looks well-fed. His hands are heavily Ocalloused, and he regards you speculatively and apparently without hostility. OThe cannibal is fawning all over you, stroking your arms and bowing Oconstantly. He repeatedly removes his nose bone and offers it to you, and is Ocrushed when you refuse it. (As you might expect, it is crusted with snot Oand stained by the refuse of many previous and messy dinners.) OThe elemental is about 9 foot tall, apparently made of clay and dirt, and is Oonly vaguely humanoid, with thick arms, a trunk that flows off to merge into Oground without forming legs, and a rough suggestion of a head. What face it Ohas is stamped with all the signs of a profound idiocy. It is flailing its Oarms madly, doing damage to whatever is unlucky enough to be grazed by them, Oall the while wailing about being lost and wanting to go home to its Mountain OMama ("take me home, country roads"). When it sets eyes on you it rushes to Oyou, grabs your hands and begins to pump it up and down enthusiastically, even Opainfully. It introduces itself as "Rich/Loam/Imbued/With/Radiant/Warmth", but Otells you that its friends calm it "Loam". OThe charmed elemental has apparently decided that you are its mother, and so Ois following you around in a state of dazed mother love. Every so often it Oapparently tries to leap into your lap, an activity which may eventually Oprove life threatening, if it continues. OIt's difficult to make out the details of the ghost's appearance, as it is Omostly transparent and those parts you can see are so gruesome as to inhibit Ofurther inspection. It's cry chills your blood, and as you watch it moves Ocloser, looking for an opening by which to attack. OThe ghost, thoughtfully, floats just behind your left shoulder, and remains Othere, no matter how quickly you spin, in order to be sure it doesn't Oaccidentally scare you into a coronary. OThe derro is in leather robes, rather than armor, and is baring its long Ocanine teeth as it chants its spell. There is no doubt it means you harm. OThe derro is in leather robes, and appears to be wearing no armor, or Oanything else, underneath. It watches you in a servile manner, attempting to Obe sensitive to the nuances of your desire, scurrying to open doors for you Oas you walk about. OThe Demon of Dark Desire is tall, well-dressed, elegant of bearing and Oposture. When he turns his full gaze upon you, you are painfully aware that Ohe is impossibly beautiful, with perfect skin, pronounced cheekbones, Owell-deep brown eyes with long lashes. The only incongruity is a low, Osloping forehead, but you are quickly distracted from that detail by the Orich, caressing timbre of his voice and his way of making you feel that you, Oand you alone, are of interest to him. You are distantly aware that part of Oyou, at least, is desperately clamoring to throw over everything you've been Oor stood for in order to spend a day or an eternity as his consort. You'd Obest act fast, if there's anything you can do at all. OJenLee, her clothing rent and her features twisted, is raising her sword to Ostrike you dead. OJenLee is standing with her head bent, gazing submissively up at you from Obelow her eyelashes. She seems not at all alert and confident. OThere is a dummyone nounone here. OThe dove is clothed in feathers of such an immaculate white that they seem to Oradiate an inner light. It trills a liquid song of stark, preternatural Obeauty, one that moves you to confused, joyous tears. OYou $VERB$ the dove gently; it is warm and vibrant, and your fingers tingle Oat the contact. You are overcome with a sense of something infinitely Oprecious, yet extremely vulnerable, and you are torn by between the desire to Oprotect it with your life and the fear of corrupting it yourself. OEven in sleep JenLee gives off an air of poised readiness. She seems unaware Oof your presence, though, and was not disturbed by your earlier conversation Owith Priestess Tiana. OYou $VERB$ her gently, and she snorts softly and turns over. A little more Oeffort and you might wake her. OJenLee is covered with wounds and is clearly irreversibly dead. Still, as Oyou examine her closely, there's a suggestion of transparency in her skin, Oand perhaps a faint blue spark moving and flashing, sporadically, within her. OYou $VERB$ the body, and it flops, limply, over to its other side. She's Oclearly dead, alas. OThere is a dummytwo nountwo here. OThe grue has been killed by a single long wound which opened it head to toe, Olike the stitching up the front of child's stuffed animal. It still Otwitches, a little, as blood continues to be pumped from the apparently Oinexhaustible reservoirs of its heart. OYou $VERB$ the grue's corpse, and it flops, limply, over to its other side. OIt's clearly dead. OThese is a standard paladin's sword, not JenLee's usual blade. The blade's Ometal has a whitish sheen, and the cross of the First Church is inscribed Ointo both sides of the guard. OThis is the paladin's sword JenLee began this adventure with, but now it is Oradiating a soft white light that seems to come from the Sponsors themselves. OThis is a standard silver cross, a holy symbol of the First Church. It is Oabout twice the size of one's palm and is on a metal chain, and so could be Oworn as well as carried. OYou $VERB$ the cross, and become aware of its heft and weight, but nothing Oelse of interest happens. OThis is the silver cross you began with, but now it is primed to serve as a Oconduit of the Sponsor's power and influence. OAs you $VERB$ the cross, you are comforted by its aura of holiness and Ospiritual purity. It is an active symbol of your faith and power, one you Ohope you can properly honor. OThis is a nondescript wooden bucket. Despite its age, it has not begun to Owarp or decay, its only concession to the passage of time is some warping in Othe bottom slats, which would likely result in leakage were the bucket to be Ofilled. OYou $VERB$ the bucket, and it creaks alarmingly; it doesn't seem as if it Owill last through much more use. OThis is a generic eight ounce potion bottle, complete with a cut glass Ostopper. OThis is a shallow pool of freshly let blood, still red, sticky and Ouncoagulated. OYou play in the pool of blood for a little while, without accomplishing Oanything other than getting your hands rather gruesomely sticky. OThe spring water is room temperature and has a faint mineral taste, but it Oseems clear and wholesome. OYou play in the water for a while, and waste some through splashing, but the Oonly notable effect is to get your hands and the cuffs of your robe wet. OThe altar is massive and imposing, even under its layer of filth, and seems Oto have been sculpted, expertly, from a single block of white marble, shot Othrough with fine veins of a robin's egg blue. It displays minor chips and Ogouges as mute testimony to sustained, and unsuccessful, attempts to destroy Oit. Though still physically whole, it has been covered with layers and Olayers of shit, blood, and less identifiable substances, the whole painted Oover with various vicious blasphemies and slogans of praise to other, darker, Ogods. OThe graffiti ranges from the banal ("Gehenna rules!") to the sublime (a Olong, impassioned paean of praise the "Dark One", who "sleeps in the Heart of Othe World" and from whom all blood and misery flows.) OThe altar is massive and imposing, having been sculpted, expertly, from a Osingle block of white marble shot through by fine veins of a robin's egg Oblue. It is covered with faint bas-relief carvings which record famous Omoments in the history of the Church and by engraved scrolls which spell out Omany of its precepts and other moralistic sayings. OExamples of the altar's text are such sayings as "In Knowledge there is OStrength" and the Golden Rule, and there are poems such as O O All that is Gold does not glitter O Not all who wander are Lost O The Old that is Strong does not wither O Deep Roots are not touched by the Frost. OThe dagger is short and sharp, with a curved tip that renders it impractical Ofor combat. Its guard is decorated with small rubies set in gold, the rubies Oplaced so as to suggest beads of blood running down off the blade. OThe paper cube has a door on one side, with a tiny lock made of paper. ODespite the material of which it is made, it seems surprisingly solid, hefty, Oand inflexible. The paper is covered with writing, at all angles and in a Ominute script, written in a dark reddish ink. OThe text is a combination of poesy and prose. Just on its literary merits, Oit's all quite extraordinarily good. However, the sentiments expressed are Odark and depressing, ranging from intense, vicious cynicism to overwhelming Odispair. Prolonged exposure to such art would drive both the weak and the Ostrong to madness. OThe scissors are skillfully and cunningly made, though of course a bit Ogruesome when their origin is considered, for the two cross pieces were Ooriginally the thighs of a human infant. OThere is a dummythree nounthree here. OThe lamp resembles its more mundane cousins, though it seems unnaturally Olight. A closer inspection reveals that no flame burns within, though in its Oplace is a pulsating ball of light that flickers, waxes and wanes as if it Owere somehow the disembodied reflection of a true flame. OThe manacord is long and wide, more like a scarf than a cord. It is weighted Owith gold and silver beads at both ends, and the body of the manacord is made Oup of a weblike filigree which serves as a description of the spell. OHEAL: Requires 6 spell points, must be conjured at a specific target (as in OCONJURE HEAL AT X), and only affects soul-bearing humanoids. Its effect is Oto heal a small number of normal wounds. It has a reversed version, WOUND, Owhich also costs 6 points and must be cast at a specific target, but which Ocan affect a larger range of creatures. WOUND causes as much damage as HEAL Ocures. OThe manacord is long and wide, more like a scarf than a cord. It is weighted Owith gold and silver beads at both ends, and the body of the manacord is made Oup of a weblike filigree which serves as a description of the spell. OBLESS: Requires 7 spell points, must be conjured at a specific target (as in OCONJURE BLESS AT X), and can affect both creatures and objects. It can be Ocast only in a consecrated place or in the presence of a powerful holy Oobject. BLESS focuses the attention and influence of the sponsors on the Otarget of the spell, and so can make some mundane objects permanently holy. OOn sentient creatures, the effect is to bath the creature's soul in a context Oof truth and insight, which generally results in an increased level of Ospiritual strength and purity. OThe manacord is long and wide, more like a scarf than a cord. It is weighted Owith gold and silver beads at both ends, and the body of the manacord is made Oup of a weblike filigree which serves as a description of the spell. OCHARM: Requires 7 spell points, must be conjured at a specific target (as in OCONJURE CHARM AT X), and affects all sentient creatures (unlike in Prime, Owhere it affects only mammalian humanoids). Its effect is to subjugate the Owill of the target creature, making it subservient, friendly, and responsive Oto the desires of the caster, regardless of creature's normal inclinations. OThe manacord is long and wide, more like a scarf than a cord. It is weighted Owith gold and silver beads at both ends, and the body of the manacord is made Oup of a weblike filigree which serves as a description of the spell. OSUMMON: Requires 20 spell points, must be conjured at a specific target (as Oin CONJURE SUMMON AT X), and can affect all sentient creatures. The target Ocreature must be named in the conjuration (CONJURE SUMMON AT BEN). A name Othe target creature will recognize is sufficient for a friendly summoning. OIf the target is resistant, the True Name of the creature will be required. OThe summoning lasts only temporarily, for a period of time which varies with Othe target's nature and degree of cooperation. OThe manacord is long and wide, more like a scarf than a cord. It is weighted Owith gold and silver beads at both ends, and the body of the manacord is made Oup of a weblike filigree which serves as a description of the spell. OLIGHT: Requires 5 spell points. Creates a magic lantern that can be carried Oabout and used as a source of light. It lasts for 20 turns, and then Odisappears. OThe key and its detailing is tiny to the point of rendering its functionality Osomewhat questionable. It appears to be made of gold, but seems somewhat Oharder than a pure gold construction would permit. OThis is really more of a cabinet than a bookshelf, as it's front is a door Othat swings on hinges to the left. Odd transparent panels, as hard as Odiamond, are set into the door, and show that the cabinet's contents have Oescaped the vandalism which afflicted the rest of the library. The cabinet Ois made primarily of steel, but it is chased all over in abstract patterns Otraced out by thin gold leaf. The border of the front panel and the door's Olock are also formed from gold. OThis book is bound in thick black leather, with the title stitched in with Owhite silk. It is in good shape, though judging from the spine and the Ocondition of the edges of the pages, it has seen substantial use. A brief Oglance through the pages showed lots of tiny script and a copious use of Othree color illustrations. OYou open the book at random and are immediately lost; the language seems to Obe Common, but every third word is unfamiliar or is clearly being used in Osome restricted technical sense. An example is: O O It would not be impracticable to adopt this method to such operations as O Talismanic Magick. For example, one might consecrate and charge a O Pantacle by the communication by AIWAZ to the Scribe of the Book of Law, O the Magician representing the Angel, the Pantacle being the Book, and the O person on whom the Pantacle is intended to act taking the part of the O Scribe. O OStarting over more methodically, you scan the index and an entry for "Demon OProtection Pentagrams" catches your eye. There is a slew of alternative Otechniques; of those intended for use by clerics, the easiest to understand Orequires dried demon blood to lay the pentagram and a holy symbol to sustain Oit. OThe book is thin, maybe one hundred pages, but elegantly made; the paper is Othe finest vellum, the pages written in an excellent hand with a deep black Oink that has yet to smear or fade, the spine is constructed of a cunning Ocircular column of metal wire, and the whole is bound in delicate kid Oleather. A close examination of the front reveals a title, stitched out in Oblack thread almost imperceptible against the leather cover. The title is O O On Charms and their Efficacious Use OYou leaf through the text, and as you might expect, it proves to be a Otreatise on the casting of Charm spells and the best techniques for the Oexercise of control over Charmed suspects. Despite the reprehensible Ophilosophy and contents, you find yourself frequently pausing to read in Odepth, as the text is compelling and fascinating in a macabre fashion. When Oyou finally tear yourself away and close the book, you feel soiled and Odiminished by simply having been exposed to a work of such brutal cynicism Oand evil. OThere is a dummyfour nounfour here. OThe scroll's title is "The Paper Cage: An Analysis", and it seems to be a Oreport on a magical artifact with that name, one drawn from both direct Oanalysis and an examination of the literature. Unfortunately, the scroll has Obeen roughly handled, and much of it is obscured by what appear to be blood Ostains. OMuch of the text, which is devoted to the analysis of a magic item called O"The Paper Cage", is obliterated by rough handling and blood stains. Piecing Otogether what you can from the rest, you learn that the Cage is unescapable Oand indestructable, despite the material used in its construction. This Oscroll claims that the only way to open or unlock the cage is to cut it with Oscissors constructed from the thigh bones of an innocent child. OThe shoes look like standard leather boots from the top, but from the side Oyou can see that the soles are several inches thick. Your first thought is Othat the captive was uncommonly sensitive about his height, but then you Odiscover a catch on the inside of each shoe; perhaps the soles conceal a Osecret compartment! OThe pieces are all of men's jewelry; heavy wrist chains, tie tacks, cuff Olinks, the occasional unmatched erring. All are well made, of expensive Omaterials, and many have expertly scribed inscriptions. OThe inscriptions generally express one or another mawkish romantic sentiment. OThey seem to have been written for a variety of women with names such as O"Deseriata" and "Evelyn Manors", but they all seem to be written to a single Ogentleman, whose name is "Neanderthal". OThe bulk of key is made of metal, though the handle is a round, flat piece of Osome ceramic material, decorated with a jagged black and white pattern. The Ostem of the key is extremely complicated, past all imaginable utility. OThe baby, though plump and apparently healthy, has not been very fastidiously Ocared for, as its skin and rude clothes are crusted with countless layers of Ofood, excrement, and drool. Unsurprisingly, the baby seems not at all happy, Oand so cries and wails constantly. OThis is the only recently denuded skeleton of a human infant, in a state of Oremarkable preservation. Each bone has been sheared clear of all flesh and Oskin, except for internal gristle necessary for keeping the skeleton Oconnected and intact. OThe amulet consists of a star sapphire attached to a heavy silver braid, Owhich serves as a chain. Closer examination reveals tiny white sparks which Oflit and fade in the interior of the sapphire, and the silver chain is Ocovered with a minute script. The whole assembly gives off an ozone smell Oand causes a slight sense of disorientation; this is certainly an amulet rich Owith magic. OThe script, originally in some unknown language, begins to swim and run Otogether as you examine it, and eventually reforms itself in Common. The Owriting identifies the magic item as an Amulet of Astral Travel; one invokes Oit (by touching it) in the "pure" Astral Plane (whatever that means), and it, Oin turn, facilitates travel to varied and sundry other locations in the OAstral Plane. OThe amulet's gem pulses in your hand as you play with it, but nothing else Ohappens. OThe amulet's gem pulses in your hand as you $VERB$ it, but nothing else Ohappens. OThe Holy water is crystal clear and seems to faintly shine with an inner Olight. It has a faint ozone smell, and seems slightly thicker or heavier Othan unblessed water. OYou play with the holy water for a while, and waste some through splashing, Obut the only notable effect is to get your hands and the cuffs of your robe Owet. OThe gold consists of nuggets, small pieces clearly pried out of jewels or Oother settings, and a dizzying assortment of coins, no two, apparently, from Othe same mint or press. Scattered in with the gold are some random pieces of Ometal which you took to be accidental debris until you sort them out separately Oand realize them to be a set of greatly damaged thieve's tools. OThe packet is a square, about 6 inches on a side, with a top that folds over, Oand seems to have been made from tree leaves, carefully stitched together. OYou lift the lid of the packet and immediately wrinkle your nose in sudden Onausea; the packet contains a dried substance that resembles what you might Oget by burning a mixture of blood, alcoholic vomit and mucus, and smells just Oabout as pleasant. OThis brush, cheaply constructed of wood and cast off broom bristles when new, Ois in a state of sad disrepair. It looks as if it has maybe one or two more Ouses left in it before is disintegrates into splinters and straw. OThe blood, though clotted, looks red and relatively fresh. OThe pentagram is large (adjacent points are separated by 4 feet) and the Ocentral pentagon has room for two or three human sized creatures. Though the Opentagram was laid with dried ichor whose color and odor were both noxious in Othe extreme, the completed pentagram burns with a warm, slightly bluish Olight, and gives off a pleasant scent of freshly baked bread. OThe magin is clothed in robes, and is bloated and gassy with decay. Oddly, Othere are no bruises, the corpse seems to be bloodless. Though the magin's Oposture suggests a pair of broken legs, there is no obvious cause of death, Othough the overwhelming carrion stench makes a close inspection impossible. OThe glyph is scribed in lines of black and red that seem to absorb light and Oenergy from the very air. They glow and pulse with a palpable malice, so Othick with evil that your stomach churns and heaves with nausea. OThe lines of the glyph themselves seem to be formed by the minute scribing of Otext, but it's in a language you can neither read nor recognize. The Ocharacters are angular and disturbingly formed, and you find your eyes Owatering as you examine them. OYou begin to $VERB$ the glyph, but immediately snatch your hand away, as you Ofelt it greedily suck at your mind, your substance, your very soul. Odummy noun Odummy noun Odummy noun Odummy noun, heal Odummy noun, wound Odummy noun, bless Odummy noun, light Odummy noun, charm Odummy noun, summon OThis is a sheaf of four or five rectangular pieces of paper, Oanachronistically perforated at the edges and stapled together at the upper Oleft corner. It is covered with a flawless script of superhuman regularity. O Meta-comments on the mechanics of game play: O OCOMMANDS AND VOCABULARY: O O The TARK Adventure Game understands a wide variety of commands. O However, it has only a limited vocabulary, totaling approximately four O hundred words, so it can get confused. If you give it a word that it O doesn't understand, it will tell you what word it doesn't know. Try O entering your command again using a different word in place of the one O the game objected to. O O Your commands should generally be in the format: O O <(multiple) noun phrase(s)> O O Some (hypothetical) examples of valid commands: O O PLACE A RED ROCK IN THE SMALL BOWL O PUT THE GREEN ROCK AND THE SMALL PEBBLE BEHIND THE OAK TREE O READ MY POETRY BOOK O SWIM IN THE SWIMMING POOL O EXAMINE THE GOLD RING, THE DWARF AND THE SILVER NECKLACE O EAT THE CELERY, THE TUNA, THE APPLE AND THE ONION O THROW THE BATTLE AXE AND THE LARGE ROCK AT THE WEREWOLF O SHOOT THE BURGLAR WITH THE REVOLVER O ATTACK HIM ("HIM" will refer to last noun mentioned) O FIRE THE LASER PISTOL AT THE ALIEN MUTANT O GET THE BOOK (also: TAKE THE BOOK) O READ IT ("IT" will refer to last noun mentioned, e.g., the book) O GET ALL (will get everything movable at the current location) O PUSH THE RED BUTTON AND THE GREEN BUTTON O UNLOCK THE FILE CABINET WITH THE STEEL KEY O JUMP THROUGH THE OPENING O JUMP OVER THE LOG O NORTH O SOUTHWEST O PLACE AN AXE AND THE SHIELD NEXT TO THE BIG TREE O TURN ON THE FLASHLIGHT O LIGHT THE TORCH WITH THE WOODEN MATCHES O SCREAM AT THE UGLY TROLL O CLIMB UP THE LADDER O EXTINGUISH THE FIRE (or PUT OUT THE FIRE) O DRINK THE WHITE WINE O WEAR THE STUPID HAT (also: PUT ON THE STUPID HAT) O TAKE OFF THE HAT (also: REMOVE THE HAT) O NE (for NORTHEAST) O DROP THE KEY AND THE BOTTLE O ENTER THE CAVE O XYZZY (i.e., a "magic" word) O TURN THE DOORKNOB O PLAY WITH THE DOG O O Compound commands can be created by connecting single commands (like O those above) with "AND", "THEN" or the punctuation symbols "," or ";" to O connect two or more separate commands. However, "end-of-sentence" O punctuation symbols like ".", "!" and "?" should not be used. Below are O a few examples of valid compound commands: O O TURN THE DOORKNOB THEN ENTER THE CAVE O CLIMB DOWN THE LADDER THEN SOUTH, WEST AND NORTHWEST O GET THE CLOAK AND THEN EXAMINE IT; READ THE LABEL O DROP THE FOOD AND THE BOTTLE THEN UNLOCK THE DOOR AND THEN LEAVE O GET THE TORCH, LIGHT IT WITH THE WOODEN MATCHES THEN EXAMINE IT O O If the game understands all of the words in your command, but still O seems confused by the command -- then try to say the same thing using O fewer words and a simpler sentence. When in doubt, simplify your O commands as much as possible. This also saves typing effort. O O OSPECIAL COMMANDS: O O The game uses a number of special commands for various "housekeeping" O chores. These are all pretty standard for most adventure games, O specifically: O O HELP May (or may not) give you a hint. Caution: Use of O hints rather impairs the aesthetic context of the O game, as there's no meta-sensible way for you to be O receiving them. Also, not all of the advice is O guaranteed to be valuable. O INVENTORY Will display a list of the items you are carrying, and O those items you are wearing. O STATUS Reports on remaining spell points and hit points. O BRIEF Will cause location descriptions to be brief. O VERBOSE Will cause location descriptions to be verbose. O LOOK Will give you a full (verbose) description of O your current location. O LIST EXITS Will list the obvious (visible) exits from your current O location. There may be other ways to exit the location O -- but they may not be obvious. O SAVE GAME Will save the current game status on disk. O RESTORE GAME Will restore a previously saved game from disk. O SCRIPT Causes output to go to both the screen and a printer O (using the LP1 port). O UNSCRIPT Causes output to go to the screen (only). O QUIT Quits the current game session. Always exit using QUIT O -- so the game can erase some temporary data files and O save disk space! O OFUNCTION AND CURSOR KEYS: O O The function keys have been predefined to stand for several of the most O frequently used commands. Similarly, the cursor keys have been O predefined to correspond to the appropriate compass directions, i.e., O the up arrow is NORTH, the PgDn key is SOUTHEAST, the "-" key is UP, the O "+" key is DOWN, the Ins key is ENTER, the Del key is EXIT, and so O forth. O O Hitting the '?' key will display a diagram of the definitions for all of O the function and cursor keys if you need a reminder. O OSPELLCASTING O O Spells in this game are enabled by the possession of the appropriate O "manacord", and are powered by spell points, of which you have a O limited supply. The details of a spell may be learned by READing the O manacord, and you may determine your current spell point level with O the STATUS command. O O To cast a spell, use the command CONJURE X at Y, where X is the name of O the spell and Y is the target, if the spell has one. To cast a spell at O yourself, you must say CONJURE X at SELF. O OBUGS AND SIMILAR MATTERS O O 1) You should generally LOOK again after opening something, as an item's O contents are not automatically reported upon. O O 2) Generally, but not always, alas, only the objects which are listed, O indented, below a room's description are relevant to play, and the parser O may not recognize references to others. O O 3) Warning! Death occurs at zero hits, not minus three. O O 4) Warning! Sometimes other actors in the game misbehave on their first O appearance, so you might have to repeat a command to have it properly O acted upon. Also, actors don't understand personal pronouns, so if you O have them act on themselves, you must use a statement like HEYYOK, O CONJURE HEAL AT HEYYOK rather than HEYYOK, CONJURE HEAL AT YOURSELF. O O 5) Unlocking doors sometimes misbehaves, and it is claimed that no locked O door exists or that it can't be unlocked. In this case, just use USE O KEY or TURN KEY without specifying what the key is being used on, and O the correct thing should happen. O O 6) Ignore the score ("Your score is X out of 50"). It's not relevant to O this game (only indicates how many manacords you have), but it can't be O turned off. O O 7) Bug reports (including typos and such) are invited, as well as any O aethetic comments you might have. I may well do this again, and I'd O like feedback on how the game could be improved, and what features you O particularly enjoyed or disliked. OJust as with the outside, the inside of the cage is covered with careful, Ominute script written in a dark red ink. In the interior however, the text Oconsists of an incredible number of incessant repetitions of a single four Oline stanza. O By the pricking of my thumbs, O Something wicked this way comes. O Bolts release and open locks, O Making way for He who knocks. 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O,Z,Z,~,ATTACKK ANY WITH SWORD ANYACKK ANY WITH SWORD SWORD206arly dead. O,Q,P.[P/mxp,ATTACKK ANY WITH SWORD ANYACKK ANY WITH SWORD SWORD206arly dead. O,YP3[P4mx,ATTACKK ANY WITH SWORD ANYACKK ANY WITH SWORD SWORD206arly dead. O,Q,P.[P/l,ATTACKK ANY WITH DAGGERANYACKK ANY WITH DAGGERDAGGER16 Deep Roots O,Z,~,ATTACKK ANY WITH DAGGERANYACKK ANY WITH DAGGERDAGGER16 Deep Roots O,Q,P.[P/ nxp,ATTACKK ANY WITH DAGGERANYACKK ANY WITH DAGGERDAGGER16 Deep Roots O,Q,P3[P4 nx,ATTACKK ANY Y K ANY ANYACKK ANY Y K ANY ANYO,ZYp-ANYY Y ANY NYf the ANYANYO-[">- DUMMY_VERB7ANYANYO- ,q,"- DUMMY_VERB7ANYANYO-\"q-"?- DUMMY_VERB7ANYANYO-" ,q,- DUMMY_VERB7ANYANYO-"\q-@- DUMMY_VERB7ANYANYO-A- DUMMY_VERB7ANYANYO-> ,q,"- DUMMY_VERB7ANYANYO->\"q-"?- DUMMY_VERB7ANYANYO-> ,q,- DUMMY_VERB7ANYANYO->\q-@-ATTACKK K ACK CKS YANYANYO-H DUMMY_VERB9GOLD 239 CANNIBAL 307attractive,  DUMMY_VERB9SCISSORSo madness. ANYH DUMMY_VERB9JEWELRY3ompartment! CANNIBAL 307attractive, 3[ 43 DUMMY_VERB9SCISSORSo madness. 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ANY 3:Twp5 DUMMY_VERB7ANYANY ,O5[O6q,5 DUMMY_VERB7ANYANYO5[O6o5ATTACKK K D ATTACK ANYANY ,O5[O65ATTACKK K D ATTACK ANYANYO5[O65ATTACKK K D ATTACK ANYANY ,O5[O6w,q?#5ATTACKK K D ATTACK ANYANYO5[O6o5ANYY Y AND ANY NYBANYANYO5[O6@ DUMMY_VERB5HEAL 249un ANYZ@ DUMMY_VERB5HEAL 249un ANYK@ DUMMY_VERB5HEAL 249un SELF 248un  @ DUMMY_VERB5HEAL 249un ANYZY$@ DUMMY_VERB5HEAL 249un ANYYZX#@ DUMMY_VERB5HEAL 249un ANYYQ, @ DUMMY_VERB5HEAL 249un ANYYX@ DUMMY_VERB5WOUND250un, heal ANYZ@ DUMMY_VERB5WOUND250un, heal ANYK@ DUMMY_VERB5WOUND250un, heal SELF 248un   "@ DUMMY_VERB5WOUND250un, heal ANYZY$@ DUMMY_VERB5WOUND250un, heal ANYYZX#@ DUMMY_VERB5WOUND250un, heal ANYYQ,  !@ DUMMY_VERB5WOUND250un, heal ANYYQ.y. g f@ DUMMY_VERB5WOUND250un, heal ANYYQ/y/ hf@ DUMMY_VERB5WOUND250un, heal ANYYQ3[Q4w3w4 hf@ DUMMY_VERB5WOUND250un, heal ANYYX@ DUMMY_VERB5LANTERN0 a dummythree nANYZ@ DUMMY_VERB5LANTERN0 a dummythree nANYK@ DUMMY_VERB5LANTERN0 a dummythree nANY )@ DUMMY_VERB5LANTERN0 a dummythree nANYp*@ DUMMY_VERB5BLESS251un, wound ANYZ@ DUMMY_VERB5BLESS251un, wound ANYK@ DUMMY_VERB5BLESS251un, wound ANYZ,@ DUMMY_VERB5BLESS251un, wound SELF 248un 1@ DUMMY_VERB5BLESS251un, wound ANYZY$@ DUMMY_VERB5BLESS251un, wound ANYYQ,-@ DUMMY_VERB5BLESS251un, wound ANYYQ=.@ DUMMY_VERB5BLESS251un, wound ANYYQy/@ DUMMY_VERB5BLESS251un, wound ANYYQy0@ DUMMY_VERB5BLESS251un, wound ANYYQy:@ DUMMY_VERB5BLESS251un, wound ANYY@ DUMMY_VERB5CHARM253un, light ANYZ@ DUMMY_VERB5CHARM253un, light ANYK@ DUMMY_VERB5CHARM253un, light ANYZY$@ DUMMY_VERB5CHARM253un, light ANYYZX2@ DUMMY_VERB5CHARM253un, light ANYYQ,y,@3@ DUMMY_VERB5CHARM253un, light ANYYQ?y?@3@ DUMMY_VERB5CHARM253un, light ANYYQ.y./3@ DUMMY_VERB5CHARM253un, light ANYYQ0y023@ DUMMY_VERB5CHARM253un, light ANYYQ1y123@ DUMMY_VERB5CHARM253un, light ANYYQ3y343@ DUMMY_VERB5CHARM253un, light ANYYQ5y563@ DUMMY_VERB5CHARM253un, light ANYYQ9y9:3@ DUMMY_VERB5CHARM253un, light ANYYQ;y;<3@ DUMMY_VERB5CHARM253un, light ANYYX@ DUMMY_VERB5SUMMON54un, charm ANYZ@ DUMMY_VERB5SUMMON54un, charm ANYK@ DUMMY_VERB5SUMMON54un, charm ANYZX2@ DUMMY_VERB5SUMMON54un, charm ANYY7@ DUMMY_VERB5SUMMON54un, charm ANYQ5p58@ DUMMY_VERB5SUMMON54un, charm ANYQ-p-;@ DUMMY_VERB5SUMMON54un, charm ANYQ=:@ DUMMY_VERB5SUMMON54un, charm ANYQ=Ap=<@ DUMMY_VERB5SUMMON54un, charm ANY9=@ DUMMY_VERB5SUMMON54un, charm ANYX9> DUMMY_VERB4JENLEERE 300s the descrANYy,p> DUMMY_VERB4JENLEERE 300s the descrANY,B DUMMY_VERB6ANYANYZ%B DUMMY_VERB6ANYANYZ%&B DUMMY_VERB6ANYANY%ZP0ZP1ZP2ZP9ZP:'B DUMMY_VERB6ANYANY%x(B DUMMY_VERB6ANYANYP0[P1[P2dpB DUMMY_VERB6ANYANY< DUMMY_VERB3ANYANYK< DUMMY_VERB3ANYANYK3J< DUMMY_VERB3ANYANYKLJ2< DUMMY_VERB3ANYANYKeJK< DUMMY_VERB3ANYANYZ ,< DUMMY_VERB3ANYANY< DUMMY_VERB3ANYANYK< DUMMY_VERB3ANYANYK3J< DUMMY_VERB3ANYANYKLJ2 < DUMMY_VERB3ANYANYKeJK < DUMMY_VERB3ANYANYR,,< DUMMY_VERB3ANYANY,ATTACKBABY Y BABY BABY 235the key is extrANYO,Z L,ATTACKBABY Y BABY BABY 235the key is extrANYO,  M DUMMY_VERB8BABY 235the key is extrOBJECTABY WITH $OBJECT$ATTACKBABY L BABY baby$BABY 235the key is extrANYZ LATTACKBABY L BABYPRESENBABY 235the key is extrANY Q[Q[QATTACKBABY L BABYOINTS BABY 235the key is extrANY DUMMY_VERB8BABY 235the key is extrOBJECTABY WITH $OBJECT$F DUMMY_VERB8BABY 235the key is extrANYQEwF DUMMY_VERB8BABY 235the key is extrANYQEwGwF DUMMY_VERB8BABY 235the key is extrANYQFyF DUMMY_VERB8BABY 235the key is extrANYHwH DUMMY_VERB9SCISSORSo madness. ANYZIH DUMMY_VERB9SCISSORSo madness. ANYZ JH DUMMY_VERB9SCISSORSo madness. ANY wpK, DUMMY_VERB10SELF 248un ANYO,Q[QU, DUMMY_VERB10SELF 248un ANYO,QV, DUMMY_VERB10SELF 248un ANYO,ZYW, DUMMY_VERB10SELF 248un ANY DUMMY_VERB9POOL 212 OBJECTBLOOD WITH $OBJEC, DUMMY_VERB10JENLEERE 300s the descrANYO,Q[QX, DUMMY_VERB10JENLEERE 300s the descrANYO,QV, DUMMY_VERB10JENLEERE 300s the descrANYO,ZYW, DUMMY_VERB10JENLEERE 300s the descrANY DUMMY_VERB9POOL 212 OBJECTBLOOD WITH $OBJECJ DUMMY_VERB10SELF 248un ANYQ[QZJ DUMMY_VERB10SELF 248un ANYQVJ DUMMY_VERB10SELF 248un ANYZY\J DUMMY_VERB10SELF 248un ANY DUMMY_VERB9POOL 212 OBJECTBLOOD WITH $OBJECJ DUMMY_VERB10JENLEERE 300s the descrANYQ[Q]J DUMMY_VERB10JENLEERE 300s the descrANYQ^J DUMMY_VERB10JENLEERE 300s the descrANYZY\J DUMMY_VERB10JENLEERE 300s the descrANY DUMMY_VERB9POOL 212 OBJECTBLOOD WITH $OBJECH DUMMY_VERB9POOL 212 ANY_H DUMMY_VERB9POOL 212 ANYwp`READD JEWELRY EWELRY jeJEWELRY3ompartment! ANY READD TEXTBOOK XTBOOKdeTEXTBOOK also formed frANY PH DUMMY_VERB9 PENTAGRAM, though clottANY:sH DUMMY_VERB9 PENTAGRAM, though clottANYZ tH DUMMY_VERB9 PENTAGRAM, though clottANYwpuREADD BOOK D BOOKthe chBOOK 229 ANY PN DUMMY_VERB12ANYANYZ wN DUMMY_VERB12ANYANYZ xN DUMMY_VERB12ALTAR214able effect is ANYPyN DUMMY_VERB12ALTAR214able effect is ANYPZ zN DUMMY_VERB12ALTAR214able effect is ANYP {yqN DUMMY_VERB12ANYANY|qATTACKK ANY CK ANYark aANYACKK ANY CK ANYark aANYZ }ATTACKK ANY CK ANYESENTANYACKK ANY CK ANYESENTANY P.g ATTACKK ANY CK ANYGE ANYACKK ANY CK ANYGE ANYYQ[Q[QiATTACKK ANY CK ANY AROUANYACKK ANY CK ANY AROUANYZYjP DUMMY_VERB13PRISONER 304hinks is a ANY1[2P DUMMY_VERB13PRISONER 304hinks is a ANY0y01LOCKK PRISONER ISONERE PRISONER 304hinks is a ANY0LOCKK PRISONER ISONER ePRISONER 304hinks is a ANY1LOCKK PRISONER ISONERR PRISONER 304hinks is a ANY2y20T DUMMY_VERB15PRISONER 304hinks is a ANY0T DUMMY_VERB15PRISONER 304hinks is a ANY1oT DUMMY_VERB15PRISONER 304hinks is a ANY20 DUMMY_VERB9ANYANY00 DUMMY_VERB9ANYANY10 DUMMY_VERB9ANYANY2ppEASTT D EASTous: GettinANYANY#AEASTT D EASTK THAT THE ANYANY#9EASTT D EASTME MASSIVE ANYANY#AEASTT D EASTK THAT THE ANYANY#9EASTT D EASTME MASSIVE ANYANY#A\$EASTT D EASTTARK IN TREANYANY#9jANYY Y ND ANY NYmmaANYANY0g/"6ħR -Ol q +#R#BE2OzSIhzAx@4w/HR`\9u靈b$m_3 QGӰN 2`NOUNONE0egins the descr!There is a dummyone nounone here.DUMMYONE gins the descrnone NOUNONE gins the description of the NOUNS alert and confident. DOVE 201 a dummyone nou5There is a beautiful white dove here, singing softly. IMMACULATE dummyone nounone DOVE SOUL SONG song an inner glow. PALADIN2it with your liKJenLee is sleeping here, her hand resting loosely on the hilt of her sword.SLEEPING t with your linone PALADIN PALADIN nbedroomd the fear of corrupting it yourself. PALADIN3nd you might wa:JenLee's bloody corpse is sprawled across the ground here.DEADADIN d you might wanone PALADIN CORPSE PALADIN nsm NOUNTWO4dead, alas. !There is a dummytwo nountwo here.DUMMYTWO ead, alas. none NOUNTWO ead, alas. GRUE 205 a dummytwo nou:A dead grue is collapsed here, in a bloody, stinking mass.DEADE 05 a dummytwo nounone GRUE CORPSE rpseannabilismre. SWORD206arly dead. %A paladin's long sword is lying here. PALADIN'Srly dead. none SWORD BLADE adeg pen SWORD207h sides of the *A blessed paladin's sword is shining here.BLESSED7h sides of the none SWORD BLADE adeg penuard. CROSS208g a soft white 9A heavy silver cross, attached to a chain, is lying here.SILVER 8g a soft white none CROSS SYMBOL bolbedroomt that seems to come from the Sponsors themselves. CROSS209interest happenJThere is a blessed silver cross here, radiating an aura of good and peace.BLESSED9interest happennone CROSS SYMBOL bol pen. BUCKET10 can properly h$There is a leaky wooden bucket here.WOODENT can properly h on a shelf a shelfoset BUCKET PAIL ilfosetonor. VIAL 211t through much 0This is a crystal potion bottle, with a stopper.CRYSTAL1t through much  under some debris deb VIAL BOTTLE ttledebrisl use. POOL 212 /There is a small pool of sticky red blood here.BLOOD 12 none POOL BLOOD loodg pen WATER213 other than get-There is some fresh, clear spring water here.SPRING 3 other than get in the fountain ountai WATER YMSBathroom springyour hands rather gruesomely sticky. ALTAR214able effect is JYou see a desecrated True Church altar, covered with blasphemous graffiti.DEFACED4able effect is none ALTAR 4able effect is to get your hands and the cuffs of your robe wet. ALTAR215d" and from whoKThere is an altar of the First Church here, gleaming with subdued sanctity.RESTOREDd" and from whonone ALTAR 5d" and from whom all blood and misery flows.) DAGGER16 Deep Roots FYou see a sacrificial dagger here, its blade encrusted with old blood. SACRIFICIAL Deep Roots none DAGGER Deep Roots are not touched by the Frost. CAGE 217o as to suggestIThere is a 1' cubic cage here, made of paper covered with minute writing.PAPER 17o as to suggestnone CAGE 17o as to suggest beads of blood running down off the blade. $SCISSORSo madness. 9You see here a pair of functional scissors, made of bone.BONESSORS madness. none SCISSORS madness.  NOUNTHREEy the thighs o%There is a dummythree nounthree here. DUMMYTHREE the thighs onone NOUNTHREE the thighs of a human infant. LANTERN0 a dummythree n*A magic lantern is radiantly shining here.MAGICERN a dummythree nnone LANTERN LAMP LIGHT tunthree here. MANACORDehow the disembThere is a Heal manacord here.HEALACORD ow the disembnone MANACORD ow the disembodied reflection of a true flame.  MANACORD There is a Bless manacord here.BLESSCORD none MANACORD ark's Bedroom  MANACORDl strength and There is a Charm manacord here.CHARMCORD strength and  under the book he book MANACORD K he bookbinety.  MANACORDesires of the c There is a Summon manacord here.SUMMONORD ires of the c under some slime e sli MANACORD IME e slimeest, regardless of creature's normal inclinations.  MANACORDet's nature andThere is a Light manacord here.LIGHTCORD 's nature and under the magin e magi MANACORD IN e maginssuree of cooperation. % KEYN 226rs. A tiny gold key is here.GOLD 226rs.  on the table e tableai KEY 226rs. CABINET7han a pure goldFA steel bookshelf with odd transparent panels stands against the wall.STEELNET an a pure goldnone CABINET BOOKSHELF f construction would permit. TEXTBOOK also formed frEA thick textbook with the title "Fundamentals of Demonology" is here. DEMONOLOGYlso formed frnone TEXTBOOK lso formed from gold. BOOK 229 EAn untitled thin book, covered with black kid leather, is lying here.BLACK 29 none BOOK 29 NOUNFOUR. #There is a dummyfour nounfour here. DUMMYFOUR none NOUNFOUR SCROLL31 a dummyfour noIThere is a single long scroll here, unbound and loosely coiled on itself.LONGOLL a dummyfour nonone SCROLL NOTES esl cabinetr here. SHOES232 constructed frBThere are are pair of platform shoes here, with oddly thick soles.PLATFORM constructed frnone SHOES PLATFORMS rmsnm the thigh bones of an innocent child. JEWELRY3ompartment! -There is an assortment of fancy jewelry here.FANCYLRY mpartment!  in the left shoe ft sh! JEWELRY GEMS BRACELET JEWELS s KEYN 234n, whose name i=An incredibly ornate and complicated metal key is lying here.ORNATE34n, whose name inone KEY 234n, whose name is "Neanderthal". BABY 235the key is extr%There is an unhappy, messy baby here.MESSY 35the key is extr in the crib he cribann BABY CHILD hildbannabalismomplicated, past all imaginable utility.  SKELETONries and wails -The skeleton of a human infant is lying here.BABYLETON es and wails none SKELETON BONES g penonstantly. AMULET37d and intact. 5There is a clearly magical gem and chain amulet here.ASTRALT d and intact.  on the shelf e shelfe  AMULET ICON onelfe room $WATER238 9You have some Holy water here, crystal clear and radiant.HOLYER 8 none WATER 8 GOLD 239 "You see a pile of loose gold here.LOOSE 39  in the right shoe ht s GOLD 39 ICHOR240ize them to be :There is a folded packet labeled "dried ichor" lying here.DRIEDR 0ize them to be none ICHOR GLOP loply roomset of greatly damaged thieve's tools. BRUSH241 pleasant. .A beat-up scrub brush has been discarded here.SCRUBH 1 pleasant.  next to the bucket bu BRUSH MOP mopET bucket BLOOD242t in it before .You see an amorphous clot of dried blood here.DRIEDD 2t in it before none BLOOD CLOT lotding pendisintegrates into splinters and straw.  PENTAGRAM, though clottJThere is a large demon-protection pentagram here, radiating a clear light.DEMON-PROTECTIONh clott on the floor e floorg  PENTAGRAM WARD org pen looks red and relatively fresh. CORPSE44nd gives off a -A dead magin is lying here, pallid and still.MAGINSE nd gives off a none CORPSE MAGIN inying Fissure scent of freshly baked bread. %GLYPH245he overwhelming5There is a magical glyph here, radiating evil menace.EVILPH 5he overwhelming on the door he doorh B GLYPH SPELL WARD ardnkrrion stench makes a close inspection impossible. "BANK 246E X's, as in thThis is a dummy north bankNORTH 46E X's, as in thnone BANK 46E X's, as in the latter case AGT thinks of X as a noun.er nouns, so BANK 247un This is a dummy south bankSOUTH 47un none BANK 47un SELF 248un This is a dummy selfDUMMY 48un none SELF ME US TARK HANDS ands HEAL 249un This is a a dummy noun, healDUMMY 49un none HEAL 49un WOUND250un, heal This is a a dummy noun, woundDUMMYD 0un, heal none WOUND 0un, heal BLESS251un, wound This is a a dummy noun, blessDUMMYS 1un, wound none BLESS 1un, wound LIGHT252un, bless This is a a dummy noun, lightDUMMYT 2un, bless none LIGHT 2un, bless CHARM253un, light This is a a dummy noun, charmDUMMYM 3un, light none CHARM 3un, light SUMMON54un, charm This is a a dummy noun, summonDUMMYON un, charm none SUMMON un, charm BOOKLET5un, summon ,There is a small booklet of thin paper here.TINYKLET n, summon none BOOKLET RULES sal bedroom POEM 256ticularly enjoy.There is a short poem repeatedly written here.SHORT 56ticularly enjoynone POEM 56ticularly enjoyed or disliked. Ϋ> VQ3*YH NaeG:dG i HH >tHI 9HI)4I|'2H-I)I(G I4@I7ā/IO k o> p;pu@ _Lk7ךt`>{m( jҢdxau~X, i|n|¥|n|{19LyzeMl1y|!C9z9Y/l^u~ n|O Q:ހ*3-Ԁ)"eU`rD$)d?Q=;:~&8~e :C#d bٜ\~@S>p@TW.AUkbuc&$+T 󉆃ڂ=f7Arj <芠<^7]sWl X }\b+ M~ 9ZL K:@ s.rHP?,% @0!!Ppܡ¢\122"]ZA1"P?1QH #g#H"n0E' 5SH2V8VA m3=Tѽ%<;C8GKIx!yf: `97'$Vd?Ek'`8{!+/91 08#6xHl(f`!^+87,t$ 6%bdӫ'E^q*&!$&6# ,$(0$JENLEERE 300s the descr>Your paladin JenLee is standing here, looking alert and ready.PALADIN 300s the descr JENLEE PALADIN aladin ion of the creatures as down and west. JEFFTURE 301quest, wherDJeff the Genii is floating here, watching you in a friendly fashion.GENII RE 301quest, wher JEFF GENII MS geniipenr it may go. GRUETURE 302ower. @A fierce etheric grue is here, a hulking mass of claw and tooth.ETHERICE 302ower.  GRUE IT ONYMS itNever attacks GRUETURE 303ive would bBA friendly etheric grue is here, a passive mass of claw and tooth.CHARMEDE 303ive would b GRUE IT ONYMS itng penorth the necessity of prolonged combat. PRISONER 304hinks is a KThere is a prisoner here, held captive by arm manacles affixed to the wall.CAPTIVEER 04hinks is a ! PRISONER CAPTIVE MAN VAMPIRE pireon. PRISONER 305ld this manLThere is a recently freed prisoner here, stretching and cracking his joints.FREEDONER 05ld this man! PRISONER CAPTIVE MAN VAMPIRE pirecates that they are magically enhanced. PRISONER 306attractive,CThere is a charmed prisoner here, watching you with a vacant smile.CHARMEDER 06attractive,! PRISONER CAPTIVE MAN VAMPIRE pirer someone you'd met in a dungeon. CANNIBAL 307attractive,CThere is a hungry cannibal here, speculatively pinching your thigh.HUNGRYBAL 07attractive, CANNIBAL STOREKEEPER epertally for someone you'd met in a dungeon. CANNIBAL 308nd he regarHThere is a charmed cannibal here, aimless twisting the bone in his nose.CHARMEDAL 08nd he regar CANNIBAL STOREKEEPER eper speculatively and apparently without hostility.  ELEMENTAL309by the refuAThere is an earth elemental here, wailing and thumping his chest.EARTHENTAL 9by the refu ELEMENTAL LOAM IT itomf many previous and messy dinners.)  ELEMENTAL310at its frieKA charmed earth elemental is crowding close to you, shedding dirt all over.CHARMEDTAL 0at its frie ELEMENTAL LOAM IT itn calm it "Loam". nonenoneGHOSTURE 313hreatening,AA hideous ghost is looming here, in a definitely hostile fashion.HIDEOUSE 313hreatening, GHOST IT UNDEAD undead rounds to think GHOSTURE 314ing for an AThere is a charmed ghost here, considerately floating behind you.CHARMEDE 314ing for an  GHOST IT UNDEAD undeading by which to attack. DERROURE 315 scare you CThere is a wicked looking derro here, conjuring some sort of spell.WICKED-LOOKINGcare you  DERRO DEVIL S devilquickly attacky. DERROURE 316 as it chanIA charmed derro is here, looking oddly like a doberman/dwarf cross-breed.CHARMEDE 316 as it chan DERRO DEVIL S devilBloods spell. There is no doubt it means you harm. DEMONURE 317about. MThe Demon of Dark Desire is here, watching you in a palpably sensual fashion.IMPOSING 317about.  DEMON NEANDERTHAL derthall handled in meta-commands #ddnoneJENLEERE 319t, if there@JenLee is here, but her features are twisted in an evil grimace.EVILLEE 319t, if there JENLEE PALADIN aladin anything you can do at all. JENLEERE 320ead. FJenLee is watching you carefully, with an unpleasantly submissive air.CHARMED 320ead.  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